The Avalanches finally return after 16 years with Wildflower
BEFORE we get into this, let’s establish one thing; Since I Left You came out 16 years ago. Yes, it’s a classic, but let’s not dwell on the past. The entire musical landscape has...
BEFORE we get into this, let’s establish one thing; Since I Left You came out 16 years ago. Yes, it’s a classic, but let’s not dwell on the past. The entire musical landscape has...
THIS WEEK on Film Torments, Dan takes a look at a slice of cheap and cheerless nonsense that’s, inexplicably, deeply dear to him: Corman-produced and brimming with 80s-sleaze, it’s Deathstalker. Deathstalker (not to be confused with...
WHEN people talk about great album streaks, British Synth-pop outfit Metronomy are often unfairly overlooked. From the clunky-instrumental Pip Paine (Pay Back The £5000 You Owe) to 2014’s melancholy funk drenched Love Letters, every...
ON THIS WEEK’S Breaking Down the Backlog, I explored an office over and over and over again until I learned the true meaning of choice. It seems I have a propensity for choosing “walking simulators”...
ROLAND Emmerich knows how to make a blockbuster. He paints, in the broadest strokes imaginable, on a canvas bigger than the Sun, the things that will make an audience shovel popcorn in their faces...
WOW, WHAT an eventful three months we’ve had. WHAM! Prince died. BAM! The UK left the EU. THANK YOU MA’AM! A load of great albums were released. In fact it’s been incredibly difficult to...
THIS WEEK on Film Torments, we finally take a look at the progenitor of the good-bad film in Hollywood: Glen or Glenda, by Ed Wood. The legend of Edward Wood, Jr. speaks for itself....
HOUSE SCM MOTTO: What is spoiled may never be a spoiler. Before we begin, I want to ask, regardless of how good this episode was, does this season deserve a good finale? As fine...
I DON’T know what dying feels like, but I imagine The Do-Over comes pretty close. The gradual numbing of both my senses and my body; the sensation that my very essence was dribbling out...
THE CANON of Cannon is a feature where we take a wandering look at the backlog of world-renowned trash peddlers, Cannon Films, and the work they left behind. This time: Death Wish 3. I’d usually call it bad...
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