Film Torments – Foodfight! (2012)
THIS TIME on Torments, Dan looks at a disgusting piece of awful garbage. Much has been made of The Emoji Movie this past month. A brazen advertisement made to propagate its sponsored content with...
THIS TIME on Torments, Dan looks at a disgusting piece of awful garbage. Much has been made of The Emoji Movie this past month. A brazen advertisement made to propagate its sponsored content with...
CONCLUDING Horror Month at Film Torments, Andrew takes a look at an outing by a music video director stepping up to feature films. What could go wrong? What happens when you mix a robotic...
THIS TIME on Torments’ 2Spooky4U Halloween Month, we look at the fourth entry in a beached whale of a horror franchise. Why the fourth? It was the one on Netflix. If I had to choose,...
AND SO we come to the last hurrah of The Good, The Bad, and the Bond. We want to thank you for sticking with us through the good times and Moonraker. We hope that...
RETURNING from a brief hiatus, Film Torments emerges from the refreshing sauna of quality cinema into the cesspool of the fucking usual. Here’s Rich’s take on Keith fucking Lemon. Spinning a sketch character off...
THIS week on Film Torments, Rich subjects himself to ten straight hours of the same fucking thing. That’s right, true believers – it’s The Twilight Saga (because anything can be a saga). I’ve...
CONTINUING our insensible foray into the dregs of animated horror, Film Torments examines the awful, awful, awful drek that festers in the bowels of Life’s a Jungle: Africa’s Most Wanted. Much like live-action film...
JULY is renowned for its animated films… right? That’s the theme for the month and by God we’re sticking to it like 3D rendering to a clownfish (or something). Drawing us in is Rich’s take...
MUSICAL May continues at Film Torments with the all-singing, all-dancing crap of the Parisian sewers – that also happens to feature Torments’ first recurring director in Tom Hooper – Les Misérables (and his orchestra). Musicals and...
HOW SOON can one decide that an album has attained the status of ‘classic’? With Kendrick Lamar’s 2012 LP Good Kid, M.A.A.D. City, some might argue that that status is well deserved so soon after release....
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